Socially-Distanced Works
In a Grove
(2017—in progress)
for four singers (SCtTB), small ensemble, and electronics
A Natural History of Vacant Lots
(2017-18)
for percussion quartet (or solo percussion) and electronics
Can’t and Won’t
(2017)
for string quartet
Memory Palace (version for percussion quartet)
(2016)
for percussion quartet and electronics
The Arching Path
(2016)
for solo piano (or version for two pianos)
Liminal Highway
(2016)
for flute and electronics
Goldbeater’s Skin
(2016)
for percussion quartet and mezzo-soprano
Sonata for Violin and Piano
(2015)
for violin and piano
On Being Wrong
(2015)
for solo cello and electronics
Shall I Project a World?
(2015)
for solo violin
I will learn to love a person
(2013)
for soprano, saxophone (or clarinet), percussion and piano
Memory Palace
(2012)
for percussion and electronics
Double Happiness
(2012)
for electric guitar, percussion, and electronics
That Night with the Green Sky
(2012)
for soprano and piano
Recovering
(2011/2012)
for cl, bsn, tpt, tbn, vibr., vln, and d.b. spread throughout the hall
How to Breathe Underwater (quartet version)
(2011/16)
for male voice, trumpet, trombone, and bass clarinet or string quartet
All Wounds Bleed
(2011)
for soprano, mezzo-soprano, tenor, and piano
How to Breathe Underwater
(2011)
for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics
Hoyt-Schermerhorn
(2010)
for piano and electronics
Requiem for K.V.
(2007/2009)
for solo amplified voice and pre-recorded voices