Socially-Distanced Works

In a Grove

(2017—in progress)

for four singers (SCtTB), small ensemble, and electronics

A Natural History of Vacant Lots

(2017-18)

for percussion quartet (or solo percussion) and electronics

Can’t and Won’t

(2017)

for string quartet

Memory Palace (version for percussion quartet)

(2016)

for percussion quartet and electronics

The Arching Path

(2016)

for solo piano (or version for two pianos)

Liminal Highway

(2016)

for flute and electronics

Goldbeater’s Skin

(2016)

for percussion quartet and mezzo-soprano

Sonata for Violin and Piano

(2015)

for violin and piano

On Being Wrong

(2015)

for solo cello and electronics

Shall I Project a World?

(2015)

for solo violin

I will learn to love a person

(2013)

for soprano, saxophone (or clarinet), percussion and piano

Memory Palace

(2012)

for percussion and electronics

Double Happiness

(2012)

for electric guitar, percussion, and electronics

That Night with the Green Sky

(2012)

for soprano and piano

Recovering

(2011/2012)

for cl, bsn, tpt, tbn, vibr., vln, and d.b. spread throughout the hall

How to Breathe Underwater (quartet version)

(2011/16)

for male voice, trumpet, trombone, and bass clarinet or string quartet

All Wounds Bleed

(2011)

for soprano, mezzo-soprano, tenor, and piano

How to Breathe Underwater

(2011)

for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics

Hoyt-Schermerhorn

(2010)

for piano and electronics

Requiem for K.V.

(2007/2009)

for solo amplified voice and pre-recorded voices