Music
Opera
In a Grove
(2021)
for four singers (SCtTB), nine instruments, and electronics
All Wounds Bleed
(2011)
for soprano, mezzo-soprano, tenor, and piano
Invisible Cities
(2009-2013)
for four solo voices, vocal ensemble (SATB), eleven players, and electronics
Orchestra
The Year of Silence
(2023)
for singing narrator and orchestra
What Divine Instrument
(2021)
for choir and orchestra
A Body, Moving
(2021)
for brass and orchestra
The Last Message Received
(2020)
for choir and orchestra
The Air Suspended
(2019)
for piano and strings
Meander, Spiral, Explode
(2019)
for percussion quartet and orchestra
Violin Concerto: “Breaks and Breaks”
(2018)
for violin and orchestra
The Insects Became Magnetic
(2018)
for orchestra and electronics
Will There Be Singing
(2017)
for orchestra
High Windows
(2013)
for string orchestra
Still Life with Violin and Orchestra
(2010)
for violin and orchestra
Invisible Overture
(2008/13)
for small orchestra
Large Ensemble
The Air Suspended
(2019)
for piano and strings
The Branch Will Not Break
(2015)
for eight singers (SSAATTBB) or small choir and ten players
The Naomi Songs
(2015)
for mezzo-soprano or baritone, eleven players, and looping electronics
The Pieces That Fall to Earth
(2015)
for high soprano and 14 players
Reading a Wave
(2008/10)
for for three trios throughout the audience
Invisible Overture (version for 10 players)
(2008)
for 10 players
Small Chamber
Groundswell
(2022)
for trombone or tuba and piano
Nervous Systems
(2022)
for clarinet and string quartet
The Pleasure at Being the Cause
(2021)
for 'cello and piano
New Addresses
(2020)
for flute, bass clarinet, violin, and 'cello
Don’t Look Down
(2020)
for prepared piano and percussion quartet
Why Was I Born Between Mirrors?
(2019)
for flute (or sop. sax), clarinet (doubling b.cl), violin, cello, piano, and percussion
A Natural History of Vacant Lots (Quartet)
(2017-18)
for percussion quartet and electronics
Can’t and Won’t
(2017)
for string quartet
Memory Palace (version for percussion quartet)
(2016)
for percussion quartet and electronics
Double Happiness (version for piano and percussion)
(2016)
for piano, percussion, and electronics
Goldbeater’s Skin
(2016)
for percussion quartet and mezzo-soprano
The Naomi Songs (version for voice and sextet)
(2015)
for voice and sextet
Sonata for Violin and Piano
(2015)
for violin and piano
South Catalina
(2014)
for flute, clarinet, percussion, piano, violin, and cello
I will learn to love a person
(2013)
for soprano, saxophone (or clarinet), percussion and piano
Double Happiness (original version)
(2012)
for electric guitar, percussion, and electronics
“That Night with the Green Sky”
(2012)
for soprano and piano
Recovering
(2011/2012)
for cl, bsn, tpt, tbn, vibr., vln, and d.b. spread throughout the hall
How to Breathe Underwater (string quartet version)
(2011/16)
for string quartet
The Night Mare
(2011)
for flute, clarinet, percussion, piano, violin, viola, cello, and electronics
How to Breathe Underwater
(2011)
for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics
Variations on a Still Point
(2006/7)
for guitar, saxophone, percussion, and piano
Solo
Hoyt–Schermerhorn
(2022)
for harp and electronics
Corridor of Uncertainty
(2022)
for solo piano and electronics
Liminal Highway (version for saxophone)
(2022)
for soprano saxophone and electronics
Area of Refuge
(2022)
for solo piano
Exhalation
(2021)
for solo cello and electronics
A Natural History of Vacant Lots (Solo)
(2017-18)
for solo percussion and electronics
The Arching Path
(2016)
for solo piano (or two pianos)
Liminal Highway
(2016)
for flute and electronics
On Being Wrong
(2015)
for solo cello and electronics
Shall I Project a World?
(2015)
for solo violin
Memory Palace (Solo Version)
(2012)
for percussion and electronics
Hoyt-Schermerhorn
(2010)
for piano and electronics
Cornkind
(2009/21)
for piano and pre-recorded electronics
Vocal
The Year of Silence
(2023)
for singing narrator and orchestra
Beaufort Scales
(2022)
for SSSSMMAA choir, electronics, & visual projections
What Divine Instrument
(2021)
for choir and orchestra
“Everything Will Be Okay”
(2020)
for mezzo-soprano and piano
“Apocatastasis” from Goldbeater’s Skin
(2016)
for soprano, guitar, vibraphone, and prepared piano
Goldbeater’s Skin
(2016)
for percussion quartet and mezzo-soprano
The Naomi Songs (version for voice and sextet)
(2015)
for voice and sextet
The Branch Will Not Break
(2015)
for eight singers (SSAATTBB) or small choir and ten players
The Naomi Songs
(2015)
for mezzo-soprano or baritone, eleven players, and looping electronics
Not One Word
(2014)
for men's choir (a cappella)
I will learn to love a person
(2013)
for soprano, saxophone (or clarinet), percussion and piano
“That Night with the Green Sky”
(2012)
for soprano and piano
How to Breathe Underwater
(2011)
for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics
The Pieces That Fall to Earth
(2015)
for high soprano and 14 players
Requiem for K.V.
(2007/2009)
for solo amplified voice and pre-recorded voices
three e.e. cummings poems
(2004)
for SSAATTBB choir
Installation/Arrangements
“Kiss Me” (Stephen Sondheim recomp.)
(2019)
for solo piano
WA Mozart Concerto No. 9, Mvt II
(2010)
for solo piano, chamber orchestra, and electronics
Serenity (Charles Ives arr.)
(2010)
for bass flute, bass clarinet, percussion, piano, violin, viola, and cello
Five Days
(2008-10)
for fixed media