My new album, New Addresses, is out now on Better Company Records. It features my friends in Hub New Music, and it’s the follow-up to my Grammy-winning album Don’t Look Down. We made it with Mike Tierney and the team at Better Company, and the whole thing has been a real labor of love. I’m…

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I’ve signed an exclusive worldwide publishing agreement with Schott Music. My relationship with Schott goes back many years, and it’s an honor to join their international roster. I’m looking forward to working with them to build my catalog around the world, and especially with the team in New York. For Your Consideration: The Year of…

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A few years ago, Caramoor Center for Music and the Arts asked me to dream up a project that could happen outside. Almost everything I write assumes a controlled space — even the opera I set in a train station reached its audience through headphones. So the invitation pushed me somewhere I hadn’t been. The…

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The album is here. The Year of Silence — performed by the Louisville Orchestra, Teddy Abrams, and Dashon Burton — is out today on PENTATONE. Stream or buy it here. Curtain call after the world premiere, Louisville Orchestra, Whitney Hall. Photo: Carrie Sun The piece began with a Kevin Brockmeier short story I first read…

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Dear Friends, Big news: The Year of Silence starts rolling out today! The first single is live — stream it here — with a second single May 29 and the full album arriving June 26 on PENTATONE. The piece was written for the Louisville Orchestra under Teddy Abrams, with Dashon Burton as vocalist and narrator.…

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Dear Friends, I’m so happy to share that “Don’t Look Down” won the Grammy for Best Engineered Album, Classical. This belongs to the incredible team who captured every detail of these sounds: Mike Tierney, who engineered and mixed the album, and mastering engineer Alan Silverman. And to Sandbox Percussion, whose meticulous attention to detail in…

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Dear Friends, I’m thrilled to share that my latest album with Sandbox Percussion, “Don’t Look Down,” has been nominated forthree GRAMMY Awards: Best Classical Composition, Best Classical Compendium, and Best Engineered, Classical. This project was a labor of love—hundreds of hours spent recording, mixing, and refining—and truly a group effort. These collaborations go back a decade, and the process of bringing…

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Dear Friends, I hope this finds you well as we head into this new season. I’m thrilled to share some major developments ahead, including world premieres with the Los Angeles Chamber Orchestra and The Crossing/Present Music, the continued success of “In a Grove,” and several exciting collaborations that have been years in the making. World Premieres This season…

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