Works with Electronics

Swift Interval

(2025)

for harp and electronics

Canto Selah

(2025)

for voice, electric guitar, vibraphone, and electronics

The Matteo Songbook

(2025)

for piano and electronics

Barnes Dances

(2024)

for flute, clarinet, violin, ‘cello, and electronics

Of Being Numerous

(2025)

for chamber choir (SATB), chamber ensemble, and electronic sounds

Hoyt–Schermerhorn

(2022)

for harp and electronics

Corridor of Uncertainty

(2022)

for solo piano and electronics

Liminal Highway (version for saxophone)

(2022)

for soprano saxophone and electronics

Exhalation

(2021)

for solo cello and electronics

The Insects Became Magnetic

(2018)

for orchestra and electronics

A Natural History of Vacant Lots (Solo)

(2017-18)

for solo percussion and electronics

A Natural History of Vacant Lots (Quartet)

(2017-18)

for percussion quartet and electronics

Memory Palace (version for percussion quartet)

(2016)

for percussion quartet and electronics

Double Happiness (version for piano and percussion)

(2016)

for piano, percussion, and electronics

On Being Wrong

(2015)

for solo cello and electronics

The Naomi Songs (version for voice and sextet)

(2015)

for voice and sextet

Liminal Highway

(2016)

for flute and electronics

Memory Palace (Solo Version)

(2012)

for percussion and electronics

Double Happiness (original version)

(2012)

for electric guitar, percussion, and electronics

How to Breathe Underwater (string quartet version)

(2011/16)

for string quartet

Hoyt-Schermerhorn

(2010)

for piano and electronics

Cornkind

(2009/21)

for piano and pre-recorded electronics

How to Breathe Underwater

(2011)

for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics

Five Days

(2008-10)

for fixed media

Requiem for K.V.

(2007/2009)

for solo amplified voice and pre-recorded voices